What about the comments here might be more fitting for a film?īaumbach: It’s organized, because we went in order: we started at the beginning and went through every film chronologically and let him kind of tell the story of each movie. I’d like to know how what we see here changes from when the two of you talk in private.
#No no no thank you mr acavano movie
Baumbach, made a comment I found really interesting: that what we see in this movie is “a version” of the conversations you often have with De Palma. Paltrow: “Come June, you better have an answer.”Īt that same press conference, you, Mr. “I’m gonna come interview you in six months, and…” Paltrow, couldn’t come up with one, and I was hoping that perhaps you can sit on it a bit and, when we come to this interview’s end, you’ll have an answer.īaumbach: You should’ve said that then to him. Baumbach, said something about loving the bit in Wise Guys where they say, “Thank you, Mr. At last year’s NYFF press conference, I asked what De Palma movies you tend to defend the most -Īnd you, Mr. The Film Stage: We’ve sort of spoken before. And believe me: this is far from the last thing we’ll have to say about Brian De Palma. Our previous experience helped start off the interview, which I’d like to get into now, since you, fan or skeptic, should be planning a trip to soon see their great film.
This was not my first time speaking to them - only the first in a truly “official” capacity. To interview the directors behind a film that is itself a feature-length interview presents some interesting challenges, not least of which because said film makes for so engaging and revealing a discussion - but so it is when the subject possesses as much experience and honesty as Brian De Palma, an artist about whom people are never lacking opinions. The directors are Noah Baumbach and Jake Paltrow, who I spoke to in the main theater of New York City’s Metrograph - the site of a full, ongoing retrospective - about the form and function of De Palma, film and filmmaker alike.
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